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Now why can't San Diego have Public Art like this???
Nice, IS NICE! fall of 95
CAB TO OUR HOTEL...THE
TIME SHARE THAT WE TRADED EVAN'S - MY BROTHER IN LOVE'S - IN PUERTO VIARTA
FOR...IT'S COOL...LIVING ROOM, KITCHEN, BEDROOM, HALL AND 2 SHOWERS AND 1 TOILETTE...A
VIEW OF THE STREET, ROOFTOPS AND THE HILLS BEYOND, MUCH BETTER THAN THE VIEW OF THE AIR
SHAFT IN PARIS. THIS FIRST NIGHT WE SHOP, COOK IN OUR OWN KITCHEN (PASTA AND MUSHROOMS
FROM PARIS), LAZE AROUND AND CRASH. IT'S GOOD TO EAT HOME COOKING AGAIN AFTER SO MUCH
RESTURANT AND STREET FOOD!
THE FOLLOWING DAY WE STROLL THE PROMINADE ALONG THE BEACH FRONT ON A
BRIGHT SUNNY DAY. EVEN THOUGH THE WEATHER IS GREAT, I'VE GOT THE BLUES. I SUPPOSE IT'S
WITHDRAWELS FROM PARIS AND TRAIN LAG AND BY THE FOLLOWING DAY I GET OVER IT. ANOTHER
CONTRIBUTING FACTOR WAS THE FACT THAT AT THE DUFY MUSEUM, THERE WAS NO RAOUL DUFY, NOW
HERE IS AN ARTIST, A PAINTER, A CONTEMPORY OF MATISSE, WHO LIVED IN NICE, ONE OF THE
REASONS I'M IN NICE AND WHO PAINTED IN A STYLE SIMILAR TO MATISSE BUT IN HIS OWN, WHO
PAINTED THEMEATICALLY OF NICE AND AT HIS MUSEUM THEY ARE HAVING A TEMPORARY SHOW. ONE
WOULD THINK THAT IN A MUSEUM DEDICATED TO AN IMPORTANT LOCAL ARTIST WHO IS ALSO ADMIRED ON
THE WORLD STAGE THAT THEY WOULD HAVE SOME OF HIS WORK DISPLAYED, REGARDLESS OF WHAT ELSE
WAS THERE...BUT NNNOOOOoooooooooooooooooooooooo NOT TILL DECEMBER. I KNOW THAT WE ARE TO
AND NEED TO SUPPORT LIVING ARTISTS, BUT I WANTED TO AND CAME HALF WAY ROUND THE WORLD TO
SEE THE WORK OF THIS DEAD ONE...THAT MIGHT EXPLAIN MY FUNK...SO IT GOES...WE ATE AT - OH
MY GOD - McDONALDS AND THE FOOD WAS JUST AS MEDIOCRE AND INSIPID AS IT IS AT HOME..OH
WELL...LIFE GOES ON...IT'S TUFF BEING A TOURIST AND A TOURING ART FREAK... SO IT GOES...I
GOT OVER IT...WWHHHAAAAAAAaaaaaaaaaaaaaaaaaaaaaaa HE CRIED LIKE A BABY.

A Room in the Matisse Chateau
ANOTHER DAY IN THE LIFE, ALSO SUNNY AND BRIGHT! UP EARLY AND OFF TO THE
MATISSE MUSEUM, HOUSED IN A BELLE EPOCH CHÁTEAU SURROUNDED BY AN OLIVE GROVE. HERE, EVEN
THOUGH THERE IS A TRAVELING EXIBITION, THE WORKS OF MATISSE IN THE PERMANENT COLLECTION
ARE ON VIEW. YES...LOTS OF HIS DRAWINGS, QUITE A BIT OF HIS SCULPTURE AND SOME LITHOGRAPHY
PLUS A FEW OF HIS PAINTINGS. HERE ARE DISPLAYED SOME OF HIS PERSONAL EFFECTS AND TAPISTRYS
AND FURNITURE THAT ARE FEATURED IN SOME OF HIS PAINTINGS...COOL...ALSO THE ETUDES FOR THE
MATISSE CHAPPELLE IN VENCE INCLUDING VESTMENTS AND STAINED GLASS. THIS IS A GOOD THING AS
THE CHAPPELLE IS CLOSED TILL DEC 10, WHEN WE SHALL BE LONG GONE.
WE LEFT THE MATISSE AND HEADED TO THE CHAGALL...WE THOUGHT...REALIZING
WE ARE ONCE AGAIN OFF THE PATH...WE PAUSE AND ATTAIN OUR CENTER...ON THE PATH AGAIN, WE
FIND THE CHAGALL...THE CHAGALL MUSEUM, (THAT'S MARC CHAGALL TO THE LIKES OF YOU, AND ME)
IS A NATIONAL COLLECTION AND BEING SO, UNLIKE THE REST OF THE MUSEUMS IN NICE WHICH ARE
FREE, HOW NICE OF NICE, THERE IS A FEE...WE GLADLY PAY.
THE CHAGALL MUSEUM IN NICE IS COMPOSSED OF WORKS DEPICTING HIS PERSONAL
VISION OF THE STORIES OF THE BIBLE. THERE ARE 17 MAJOR PAINTINGS...BIG...8 X 12 FEET OR
SO...MANY WATER COLORS, SOME OF WHICH ARE STUDIES OR ETUDES FOR THE LARGER WORKS...A LARGE
MOSAIC, FRONTED BY A REFLECTING POOL AND A SMALL AUDITORIUM, SEATING PERHAPS 200 - 250
HUMANS OR OTHER SPACED BEINGS, WITH 3, PRIMARILY BLUE, STAINED GLASS WINDOWS, ALSO BY THE
ARTIST. LAST BUT NOT LEAST...A HARPSICHORD WITH THE INTERIOR OF THE LID PAINTED BY
CHAGALL...UUUUMMMMmmmmmmmm...I WONDER IF UNCLE AUSTIN WILL LET ME PAINT HIS
HARPSICHORD?...THIS MUSEUM IS CONTEMPORY IN ARCHITECTURE...CAHGALL HELPED DESIGN IT AND
THE WORKS ARE HUNG ACCORDING TO HIS PLAN AND HE CAME TO PERFORMANCES IN HIS THEATER...MUST
BE WONDERFUL TO HAVE LIFE EXPERIENCES LIKE THAT...! WE ENJOYED OUR LIFE EXPERIENCES THERE
TOO.
TO MARKET, TO MARKET TO BUY A FAT HOG...ACTUALLY IT WAS STEAK THAT WE
DID BUY AND IT APPEARED TO BE A NEW YORK OR SPENCER CUT, THOUGH THE FRENCH CALL IT A FAUX
FILLET. SOUNDS LESS ALURING DOESN'T IT? BUT I ASSURE YOU THAT IT WAS NOT. SAUTEED TO
PERFECTION AND FINISHED WITH ONIONS, ALSO SAUTEED, GARLIC AND PINOT AND ACCOMPANIED BY
SIMPLE STEAMED RICE...YES HOME COOKING AND A MIXED SALAD TOO FOLLOWED BY RUM RASIN
GLACEE...VIVA LA DECADENCE...

Maeght Foundation Courtyard
ANOTHER DAY, ANOTHER WORLD CLASS ART SITE...TODAY IT'S THE MAEGHT
FOUNDATION IN ST. PAUL de VENCE...BUT NOT QUITE YET, FIRST WE BUS TO VENCE AND WANDER IT'S
QUAINT MEDIEVAL STREETS AND WITHIN A SMALL SQUARE DISCOVER "LE CASOLET"...AT
THIS POINT I WAS TO WOW THE VIEWER WITH MY TOTAL RECALL OF THE MENU IN FRENCH, BUT I'VE
LOST MY CRIB NOTES, SO IT WAS A SMALL VENUE, 6 TABLES, QUAINT, CHARMING...TO EAT WE HAD
FRUITS DE MER COCKTAIL AND RAVIOLIS, FROMAGE AVEC ESSPINARDE IN CREAM SAUCE...NEXT FILLETS
DU CANNARD AVEC MIEL/ARMENAC SAUCE AND POULET DES CHEVEE FROMAGE AVEC HERBS...THESE WERE
ACCOMPANIED WITH A MELANGE OF LEGUMES PREPAIRED IN SURPRIZING WAYS...THERE WAS SPINICH
SOUFFLE, RICE AND SAFRON WHICH WAS MOULDED WITH EGG, TOMATO - BAKED, STUFFED AND HERBED,
BOILED PETIT POTATOES AND MASHED POTATOES WITH CLERIAC, ALSO MASHED...NEXT, FIGS CUT IN
STARS WITH A ROUND OF GOAT CHEESE IN THE CENTER AND BROILED...DESERT WAS POMMADE
MARGAROUX...A DELIGHTFUL CONFECTION...AN APPLE MOUSSE SO TO SPEAK, SET IN A LAKE OF DESERT
CREME SAUCE, PERHAPS CREME ENGLACE...WE HAD WINE/COFFEE/TEA...ANOTHER GREAT ROMANTIC MEAL
IN A GREAT ROMANTIC SETTING...WITH DUTCH SPOKEN AT ONE TABLE, FRENCH AT ANOTHER AND
ENGLISH AT OURS, IT WAS A VERBAL MELANGE AS WELL. AFTER A JOURNEY TO THE KITCHEN AND A
C'EST MANUFIQUE TO LE MADEME CHEF IT WAS AUREVOIR "LE CASOLET."
ON THE SAME TINY SQUARE IS A ROMANESQUE CHURCH OF PASTEL SHADES,
FRESHLY RESTORED AND IN THE CENTER OF THIS PLAZA, A MODERN, ABSTACTED, FIGUREATIVE
SCULPTURE. A NICE JUXTAPOSITION TO BE SURE.

ST. PAUL de VENCE
ST. PAUL D VENCE...WE BUSSED BACK AND TOOK A 20 MINUTE STROLL, DOWN A
BACK STREET OF LIFE, TO THE FOUNDATION...OVER THE HILL AND THROUGH THE WOODS TO FOUNDATION
MAEGHT WE DID GO...THROUGH THE GATE AND THERE ON THE PERFECTLY MANICURED LAWN, AMONGST THE
TALL PINES, ARE SCULPTURES OF CALDER, ARP, MIRO AND MORE...SURROUNDED BY A WALL COVERED IN
MONOCROMATIC MOSAIC...A SENSE OF AWE OVERCOMES US...WE ARE IN A SHRINE OF ART! WE SPENT
SOME TIME SITTING IN PROXIMITY TO A PIECE THAT SEEMED A JUMBLE OF STAINLESS TUBES ABOUT
4" IN DIAMETER THAT WAS KENETIC. LIKE A LARGE, COMPLEX, CHI CHI ODOCHI, A JAPENESE
DEER SCARE, A WATER FEATURE, A WILD BOAR SCARE...IT SEEMED TO BE WORKING AS WE SAW NEITHER
DEER OR BOAR, WILD OR DOMESTIC. THE SOUND OF WATER WAS MESMERIZING IN THE SILENCE OF THE
RURAL FRENCH COUNTRYSIDE.
INSIDE THE MUSEUM WAS A COLLECTION OF CONTEMPORY ARTISTS INCLUDING SOME
OF BACON'S, AGREEABLY, MORE ACCESSABLE PAINTINGS. WE ENJOYED THESE AND AGREED THAT HE DID
DESERVE HIS REP FOR THE MARVELOUS PAINTERLY QUALITY OF HIS CANVASES. TO BE CANDID I
GENERALLY THINK HIS WORK SUCKS, IT'S SO TORTURED AND FILLED WITH ANGST AND GORE, MUCH LIKE
THE DAILY NEWS ON THIS CIVILIZED ? PLANET, YET HERE WE HAD ANOTHER EXPIERENCE ENTIRELY.
THERE WAS ANOTHER CALDER AND MORE MIRO'S INSIDE AND WE WITNESSED A
FELLOW, AN ARTIST OF UNKNOWN NAME, SETTING UP AN AURAL, AUDIO, HAPPENNING, THANG. TUBULAR
DUDES! LITTERALLY TUBES, WITH LITTLE SPEAKERS PUSHED IN THE ENDS, HOOKED UP TO BATTERY
OPERATED, CAPACITOR DEVESES, WHICH AS THE FIELD WITHIN COLLAPSED, THEY WENT POK! PIC!
POOK! CLUOK! FUN AND EXPIERENTIAL, FER SHURE, FER SHURE.
THE BUILDING THEMSELVES ARE NOTEWORTHY, MANY ROOMS - STUDIOS -
GALLERIES WITH WHAT APPEARED TO BE LARGE, VERY LARGE, FLYING NUN BONNETS GONE MAD (PERHAPS
FROM THE ORDER OF OUR LADY OF PERPETUAL FORGIVNESS) FOR THE ROOF STRUCTURES AND
FENISTRATED TO LIGHT PERFECTLY THE SPACES BELOW. HERE WE SHALL USE THE "I"
WORD...INTERISTING...
TO THE REAR OF THE COMPLEX LIE GARDENS, DESIGNED AND SCULPTERED (IS
THAT A WORD?) SOLELY BY JOAN MIRO, HIS BIRD, FISH, EGG, GARGOLE, WHO KNOWS WHAT, FIGURES,
ARTFULLY DISPLAYED AMONGST TREES, SCHRUBS AND WATER FEATURES, INCLUDING MOSAICS AND
FOUNTAINS WITH WATER GUSHING FORTH FROM KERMIT THE FROGS PREDICESSORS MOUTHS. THIS
FANTASMANIA IS VERY COOL ART FANS!
WE SADLY LEFT THE SPACE, AS WE KNEW WE MAY NEVER RETURN, BUT YET WE
WERE SATED WITH THE FULLNESS OF ART, MORE THAN A MAN'S NAME. STROLLED BACK ANOTHER
CHARMING MEDIEVAL VILLAGE LANE TO THE BUS STOP, WHICH IT DID, ERE WE BOARDED TO RETURN TO
NICE. WE SHOPPED, COOKED, DINED, RETIRED, TO ENERGIZE FOR ANOTHER DAY AND DREAMED DREAMS
OF ARTISTIC LICENCE.
Another tale in life's
continuing saga by Raymond Ellstad
to
Around Nice and More Nice
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